Jacob Gurevitsch - Lovers In Paris (Full Album) - 0073

Деньги и Любовь

Jacob Gurevitschs album Lovers In Paris, released on Music For Dreams the 26th of May 2015. Subscribe for more music for dreams: bit.ly/2bIaezU

Stream in all digital stores: open.spotify.com/artist/1h9GstBf9XSQT3jzZqt3vH?si=GqAWrhExR0-puHgogb4UjQ

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Ólafur Arnalds - Only The Winds

Деньги и Любовь

From the new album by Ólafur Arnalds, «For Now I Am Winter»:

iTunes: smarturl.it/OAiTunes
Amazon: smarturl.it/OAamazon
Vinyl: smarturl.it/Oavinyl

Composer: Ólafur Arnalds
Director: Harald Haraldsson
Producer: Wonwei
Art Director: Erik Parr
Cinematographer: Árni Filippusson
1st AC: Steini Magnússon
Gaffer: Högni Marzellius Þórðarson
Lights: Sigurður Már Davíðsson
Styling: Hulda Halldóra Tryggvadóttir
Actor: Kormákur Krummi Guðmundsson
Special thanks: Sagafilm, Luxor, Hreysti, Hjalti Harðarson

Music video by Ólafur Arnalds performing Only The Winds. © 2013 Mercury Classics, a Division of Decca Music Group Limited

Vivaldi: Andromeda Liberata (Serenata Veneziana) , RV 117 - Aria 13: Sovvente il sole

Деньги и Любовь

Provided to YouTube by Universal Music Group

Vivaldi: Andromeda Liberata (Serenata Veneziana), RV 117 — Aria 13: Sovvente il sole · Anne Sofie von Otter · Daniel Hope · Chamber Orchestra Of Europe

Vivaldi

℗ 2008 Deutsche Grammophon GmbH, Berlin

Released on: 2008-01-01

Producer: Marita Prohmann
Producer, Recording Producer: John West
Studio Personnel, Recording Engineer: Hans-Ulrich Bastin
Studio Personnel, Asst. Recording Engineer: Jürgen Bulgrin
Composer: Antonio Vivaldi
Author: Anonymous

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Sacred Treasures III: Choral Masterworks from Russia and Beyond

Деньги и Любовь

About:
The fourteen selections comprising Sacred Treasures III feature music from the Russian liturgical canon recorded in sumptuously reverberant settings by leading Russian choruses. With a state-of-the-art mastering job to fully display the subtle harmonic interplay of the singers, this release offers pure balm for the ear and soul.

The music covers a wide burst of historically important pieces, from ancient Greek Orthodox chant through early 20th Century choral masterpieces of Rachmaninov, plus one modern fantasy setting of Bachs Apollonian masterpiece «Komm Susser Tod» («Come Sweet Death») by Scandinavian composer Gunnar Eriksson.

The collection opens with an anonymous 13th Century Russian «Alleluia,» set in the calmest tradition of the Orthodox service, followed by a «Sourp, Sourp» («Holy, Holy») from the Divine Liturgy. Both are sung by the ST. PETERSBURG CHAMBER CHOIR, directed by Nikolai Korniev. More familiar, perhaps, are the four sections of Rachmaninovs Liturgy of St. John Chrysostom from 1910, sung by the large Russian State Symphony capella. There are three additional sections from Rachmaninovs Vespers collection of 1915, sung by the USSR MINISTRY OF CULTURE CHAMBER CHOIR under Valery Polyanskys direction. Should you know of savage beasts in need of calming, the Kiev Chant «Peaceful Light» (track 10) from Rachmaninovs Vespers will turn away all monsters.

The recording also aims to represent the reverential dignity of the music. Following the traditions of the Orthodox Church, no instruments are sounded — not even bells. Everything about the music and the physical setting in which it is heard is designed to produce a feeling of heavenly peace. The music is never harsh, but rather blends into the richly decorated surroundings, lit primarily by candle light. All of these selections are designed to fit within the soft golden glow of ecclesiastical tranquillity.

Rachmaninovs seven pieces are spread among a variety of other unusual works ranging from the wordless «Chorale» by Josef Ketchakmadze to the little «Serenade» by Rachmaninovs composition teacher, Sergei Taneyev (1850-1915), sung by the LEGE ARTIS CHAMBER CHOIR under Boris Abalians direction in St. Catherines Lutheran Church, St. Petersburg. (Yes, they have Protestant and Catholic churches in Russia.)

Easily the most unusual and unexpected item in the collection is the setting of «The Lords Prayer» by of all people Rimsky-Korsakov. Known for his virtuoso orchestral music, few will expect so deeply devout and reverent a piece from this composer. Although his choral music is rarely performed or recorded, he published several collections of religious texts, as well as 39 superb choral settings of Russian folk tunes. This version of «Our Father» is drawn from Rimskys Opus 22 collection.

Only with the fall of the Iron Curtain ten years ago has much music of this warmly spiritual type made inroads into the Western world. That which has emerged has indeed proven to be a sacred treasury, individual in that it combines spiritual dignity with unabashed human emotion music reflecting aspiration and pure love. All are couched within pure syllabic settings, free of formal counterpoint. While this music offers a high level of artistry, at the same time it refuses to call attention to its internal workings. (When first you encounter Sacred Treasures III, listen to Track 10 and youll hear what I mean.)
— You can buy it here:
heartsofspacerecords.bandcamp.com/album/sacred-treasures-iii-choral-masterworks-from-russia-and-beyond